Arts

A unit of 肉肉传媒's School of Art and Design, the Bernard A. Zuckerman Museum of Art serves as a vital academic resource and cultural focus for students, faculty and members of the community. The Zuckerman presents significant works from the University鈥檚 permanent art collection and regularly exhibits contemporary works of various media by local and nationally-recognized artists. The Museum's Fine Arts Satellite Gallery in the Wilson Building features faculty, student and alumni projects. The ZMA also serves as a center for education and professional development.

Mission & Values

As a unit of the School of Art and Design and in alignment with 肉肉传媒鈥檚 R2 mission of teaching, research, and service, the mission of the Bernard A. Zuckerman Museum of Art [ZMA] is to broaden the understanding and scope of contemporary art, theory, and practice in the Southeast. The ZMA encourages the exchange of ideas that inspire, educate, and cultivate an appreciation of the visual arts in our community; honors interdisciplinarity and inclusivity; and promotes receptivity to diverse cultural, social, and artistic practices and narratives as a steward of innovative, collaborative, and risk-taking approaches to the poignant global issues of our time.

History

bernard zuckerman with wife suzanne — Bernard A. Zuckerman with wife, Suzanne Siegel Zuckerman

The Bernard A. Zuckerman Museum of Art unites the University's permanent collection and galleries program, founded in 1984 by Roberta Griffin, professor emerita at 肉肉传媒. Bernard A. Zuckerman, an industry leader and supporter of the arts in Atlanta, began the initiative to build an art museum at the University with a pledge of $2 million in 2010. The pledge has since been matched with an additional $1 million from community donors and is supported by the KSU Foundation.

On March 1, 2014, the new building opened on the main campus of the University. As part of the greater KSU Arts District, the Zuckerman Museum of Art and its satellite spaces serve as a conduit between 肉肉传媒 State and the greater community. The new building also provides a state-of -the-art home and research facility for the growing KSU permanent collection.

Learn more about the collection history of the Zuckerman Museum of Art.

Groundbreaking

Grand Opening

ZMA Events

October 2024

Sunday
Monday
Tuesday
Wednesday
Thursday
Friday
Saturday

29

Sunday
30

Monday
1
Tuesday
Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

+1
Art Educators Biennial: Playful Encounters
10:00am
at Fine Arts Gallery
The Zuckerman Museum of Art’s 2024 Art Educators Biennial, Playful Encounters, considers how art can be about play and the myriad ways artist-educators engage artmaking for enjoyment and recreation. Play carries the imagination to unexpected destinations and supports unbridled generative work.

Opening Reception: September 7th, 2024, from 2pm to 4pm.
2
Wednesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
+1
Art Educators Biennial: Playful Encounters
10:00am
at Fine Arts Gallery
The Zuckerman Museum of Art’s 2024 Art Educators Biennial, Playful Encounters, considers how art can be about play and the myriad ways artist-educators engage artmaking for enjoyment and recreation. Play carries the imagination to unexpected destinations and supports unbridled generative work.

Opening Reception: September 7th, 2024, from 2pm to 4pm.
3
Thursday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
+1
Art Educators Biennial: Playful Encounters
10:00am
at Fine Arts Gallery
The Zuckerman Museum of Art’s 2024 Art Educators Biennial, Playful Encounters, considers how art can be about play and the myriad ways artist-educators engage artmaking for enjoyment and recreation. Play carries the imagination to unexpected destinations and supports unbridled generative work.

Opening Reception: September 7th, 2024, from 2pm to 4pm.
4
Friday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
+1
Art Educators Biennial: Playful Encounters
10:00am
at Fine Arts Gallery
The Zuckerman Museum of Art’s 2024 Art Educators Biennial, Playful Encounters, considers how art can be about play and the myriad ways artist-educators engage artmaking for enjoyment and recreation. Play carries the imagination to unexpected destinations and supports unbridled generative work.

Opening Reception: September 7th, 2024, from 2pm to 4pm.
5
Saturday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets

6
Sunday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
7
Monday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
8
Tuesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
9
Wednesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
10
Thursday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
11
Friday
肉肉传媒ing Artist Rhiannon Skye Tafoya- Artist Lecture
All Day
at Chastain Pointe
Artist Lecture: October 11th, 10a

Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

+3
Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
Community, Empowerment, and Visibility: National Coming Out Day
12:30pm
at Zuckerman Museum of Art
In association with National Coming Out Day

Events:

TPS: Coming Out Monologues- 12:30p

Poster Printing: 1p

Please join us at the Zuckerman Museum of Art on National Coming Out day for monologues from students in Theatre Performance Studies and an empowering words poster printing workshop! This event is a collaborative effort with Department of Student Engagement and Belonging and the LGBTQ Center at KSU.

Coming Out! A Celebration of LGBTQ Culture and Identity
8:00pm
at Onyx Theater
NEW! Livestream Friday night's performance with a simple. Celebrating its twelfth year, this inspiring, celebratory, and thought-provoking performance features coming-out stories, musical acts, and more from KSU and metro-area communities, performed by KSU students. (Note: Saturday performance is not available for livestream.)
12
Saturday
Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

+2
肉肉传媒ing Artist Rhiannon Skye Tafoya- Artist Workshop
12:00pm
at Chastain Pointe
Artist Workshop: October 12th 12p-

Coming Out! A Celebration of LGBTQ Culture and Identity
8:00pm
at Onyx Theater
NEW! Livestream Friday night's performance with a simple. Celebrating its twelfth year, this inspiring, celebratory, and thought-provoking performance features coming-out stories, musical acts, and more from KSU and metro-area communities, performed by KSU students. (Note: Saturday performance is not available for livestream.)

13
Sunday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
14
Monday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
15
Tuesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
16
Wednesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
17
Thursday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
+2
INTERCHANGE
7:00pm
at Zuckerman Museum of Art
The Bernard A. Zuckerman Museum of Art, a unit of the School of Art and Design, presents INTERCHANGE, an annual collaboration featuring faculty from all four disciplines of the College of the Arts. This unique presentation of live performances celebrates the creativity that all artistic disciplines share with one another.

Selected ArtsKSU faculty will perform in response to the exhibition Jeffrey Gibson: They Teach Love From the Collections of Jordan D. Schnitzer and His Family Foundation. Jeffrey Gibson will be present to speak about his work and in conversation with Jordan Schnitzer who will also be in attendance. This event is free but space is limited, so please register early.

Artist talk with Jeffrey Gibson and collector Jordan Schnizter
7:30pm
at Zuckerman Museum of Art
Jeffrey Gibson will be present to speak about his work and in conversation with Jordan Schnitzer who will also be in attendance.
18
Friday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
19
Saturday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets

20
Sunday
Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
21
Monday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
22
Tuesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
23
Wednesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
24
Thursday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
25
Friday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
26
Saturday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets

27
Sunday
Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
28
Monday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
29
Tuesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
30
Wednesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
31
Thursday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
1
Friday
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Saturday

November 2024

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1
Friday
Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
2
Saturday
Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

3
Sunday
Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
4
Monday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
5
Tuesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
6
Wednesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
7
Thursday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
+1
Windgate Artist-in-Residence Lecture: Matthew Kirk
5:00pm
at Zuckerman Museum of Art
This event is for the in-residence artist lecture, on November 7th at 5pm.

Matthew Kirk (b. 1978, Ganado, Ariz.) is an enrolled member of the Navajo Nation and currently lives and works in Brooklyn, N.Y. A self taught artist, Kirk's abstract assemblages and paintings are steeped in symbolism and iconography that takes inspiration from colors and patterns found in turn-of-the-century Navajo rugs. Matthew Kirk will serve as the Fall 2024 Windgate Artist in Residence.
8
Friday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
9
Saturday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets

10
Sunday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
11
Monday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
12
Tuesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
13
Wednesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
14
Thursday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
15
Friday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
+1
Catherine Blackburn Artist Lecture
1:30pm
at Zuckerman Museum of Art
November 15th, at 1:30p - Artist Lecture

Blackburn will present an artist talk on Friday, November 15 in which she reflects on her wearable art practice and its intersection between Indigenous dress, collaboration, and community. On Saturday, November 16, join Catherine for an Applied Beading Workshop inspired by Aboriginal Classics, a series of works exploring themes of identity, language, and story.
16
Saturday
Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

+1
Catherine Blackburn Workshop
12:00pm
at Zuckerman Museum of Art
November 16th, from 12p to 4p - Workshop

Blackburn will present an artist talk on Friday, November 15 in which she reflects on her wearable art practice and its intersection between Indigenous dress, collaboration, and community. On Saturday, November 16, join Catherine for an Applied Beading Workshop inspired by Aboriginal Classics, a series of works exploring themes of identity, language, and story.

17
Sunday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
18
Monday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
19
Tuesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
20
Wednesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
21
Thursday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
22
Friday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
23
Saturday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets

24
Sunday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
25
Monday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
26
Tuesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
27
Wednesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
28
Thursday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
29
Friday
Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm
30
Saturday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets

December 2024

Sunday
Monday
Tuesday
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Friday
Saturday

1
Sunday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
2
Monday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
3
Tuesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
4
Wednesday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
5
Thursday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
6
Friday
Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

+1
Holiday Artist Market
3:00pm
at Visual Arts Building
Need a unique gift for the holidays? Come shopping in the Visual Arts Building on the 肉肉传媒 campus and explore the beautiful artwork for sale by our talented students.
7
Saturday
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation
All Day
at Zuckerman Museum of Art
Jeffrey Gibson: They Teach Love, from the Collections of Jordan D. Schnitzer and His Family Foundation presents a sweeping survey of over 35 objects spanning 15 years. The exhibition includes prints, photography, painting, sculpture, installation, and video. Born in Colorado in 1972, Jeffrey Gibson is of Cherokee heritage and a member of the Mississippi Band of Choctaw. His vibrant work is a call for Indigenous empowerment as well as queer visibility. Gibson has a Bachelor of Fine Arts from the School of the Art Institute of Chicago and a Master of Fine Arts from the Royal College of Art, London. Gibson is representing the United States at the Venice Biennale 2024—the first Indigenous artist to have a solo exhibition in the American Pavilion. This traveling exhibition is organized by the Jordan Schnitzer Museum of Art, Washington State University and is curated by Ryan Hardesty, Executive Director.

Support for this exhibition and related education and outreach programs has been made possible by a grant from the
Jordan Schnitzer Family Foundation.

Opening Reception: October 2nd, 2024

Gallery talk with artist Jeffrey Gibson and collector Jordan Schnitzer in association with INTERCHANGE faculty performance event: October 17th, 7:30pm

Cherokee Printing: Then and Now
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to feature a careful selection of archival materials and artist books from the Bentley Rare Book Museum’s Cherokee Collection. Historical works on view include a Cherokee Hymn Book, circa 1940; a New Testament of the Holy Bible translated into the Cherokee language, 1860; and a copy of Cherokee Phoenix and Indians’ Advocate, 1830; among others. Also included is a contemporary artist book by Frank Brannon from 2005 as well as several examples of his prints of the Cherokee syllabary.
Buy Tickets

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Zuckerman Museum of Art Exhibitions: Spring 2025
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts which Couwenberg has completed as part of her studio practice and in partnerships with cultural institutions throughout North America, Europe, and Asia. These artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores Couwenberg’s depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwen----

Sewing Circles
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and
in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

+1
Mountains & Valleys
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to present new work by artist Beth LaCour. The exhibition features a series of folded paper vessels as well as a large installation on the Project Walls. LaCour’s work focuses on hand folded sculptural paper vessels, reliefs, and lighting. She has taught printmaking as well as drawing, papermaking, sculpture, and digital processes at Randolph College (V.A.), Yavapai College and Northern Arizona University (A.Z.). A former artist-in-residence at Taliesi, her work is included in numerous national private and public collections. Currently, LaCour is the Studio Coordinator for both the Book Arts Studio and the Papermaking Studio at Penland School of Craft (N.C.).
22
Wednesday
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Thursday
24
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25
Saturday

26
Sunday
27
Monday
28
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
29
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
30
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
31
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
1
Saturday

February 2025

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26

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28

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1
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

2
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
3
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
4
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
5
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
6
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
7
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
8
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

9
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
10
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
11
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
12
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
13
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
14
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
15
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

16
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
17
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
18
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
19
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
20
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
21
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

Shawn Sheehy
10:00am
In this 4-hour virtual workshop, renowned book artist Shawn Sheehy will lead attendees through structural basics and advanced techniques for creating pop-up books. Sheehy will also present a virtual lecture about his work at 12 p.m. His trade pop-up books Welcome to the Neighborwood and Beyond the Sixth Extinction (both mass-market versions of previous artist books) were published by Candlewick and have won numerous awards. Sheehy has been teaching book arts courses and workshops since 2001. His broadsides and artist book editions have been collected by such prestigious institutions as Stanford, Carnegie Mellon, University of Chicago, Library of Congress, UCLA, and Harvard. Sheehy served as director of The Movable Book Society from 2018 to 2023. He holds an MFA in Book Arts from Columbia College Chicago.
22
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

23
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
24
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
25
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
26
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
27
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
28
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
1
Saturday

March 2025

Sunday
Monday
Tuesday
Wednesday
Thursday
Friday
Saturday

23

Sunday
24

Monday
25

Tuesday
26

Wednesday
27

Thursday
28

Friday
1
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

2
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
3
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
4
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
5
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

HERStory Month: Elizabeth Wilson
12:00pm
Elizabeth Wilson joined The Coca-Cola Company in 2019 with more than 25 years of experience in corporate and non-profit art environments. She began her career at the High Museum of Art and has worked as an art consultant, curating art collections for high-end hotels around the world. In her current role as the Fine Arts Manager, her responsibilities range from managing the corporate collection to developing special exhibitions and curating workspaces in both the Atlanta headquarters and abroad. Wilson will discuss various roles she has held within the artistic collections and museum fields.
6
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
7
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
8
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

9
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
10
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
11
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
12
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
13
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
14
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
15
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

16
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
17
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
18
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
19
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
20
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
21
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
22
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

23
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
24
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
25
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
26
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

Spring 2025 School of Art and Design
All Day
at Fine Arts Gallery
+1
HERStory Month: Lauren Haynes
12:00pm
Lauren Haynes is Head Curator, Governors Island Arts, and Vice President at the Trust for Governors Island in New York City. Haynes has held curatorial positions at institutions across the US, including the Queens Museum, Crystal Bridges Museum of American Art, and the Studio Museum in Harlem. She serves on the board of the Association of Art Museum Curators and on the visiting committee for the Allen Memorial Art Museum at Oberlin College. Haynes was a 2018 Center for Curatorial Leadership fellow and a recipient of a 2020 ArtTable New Leadership Award. In 2023, President Joe Biden appointed Haynes to the Committee for the Preservation of the White House, on which she currently serves. Haynes will speak about her work as a curator and within the museum field.
27
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
28
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
29
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

30
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
31
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
1
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April 2025

Sunday
Monday
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30

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Monday
1
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
2
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
3
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
4
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
5
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

6
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
7
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
8
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
9
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
10
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
11
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
12
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

13
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
14
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
15
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
16
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
17
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

2025 Spring Faculty Research Forum
3:00pm
at Zuckerman Museum of Art
Please join us for the Spring Faculty Research Forum and author reception.
18
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
19
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

20
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
21
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
22
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
23
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
24
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
25
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
26
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

27
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
28
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
29
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
30
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
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Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
2
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
3
Saturday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

Spring 2025 School of Art and Design
All Day
at Fine Arts Gallery

4
Sunday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
5
Monday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
6
Tuesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
7
Wednesday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
8
Thursday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
9
Friday
Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm
10
Saturday
Zuckerman Museum of Art Exhibitions: Spring 2025
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts which Couwenberg has completed as part of her studio practice and in partnerships with cultural institutions throughout North America, Europe, and Asia. These artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores Couwenberg’s depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwen----

Spring 2025 Windgate Artist-in-Residence: Annet Counwenberg
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

In-person Lecture: April 2nd, 3:30pm

+1
Sewing Circles
All Day
at Zuckerman Museum of Art
Annet Couwenberg: Sewing Circles features an overview of ten years of cultural research, digital experimentation, and finished artifacts. Couwenberg completed the work as part of her studio practice and
in partnerships with cultural institutions in North America, Europe, and Asia. The artistic projects presented in this exhibition highlight the expanding technological parameters related to textiles and fabrics and their specific application in the arenas of scientific research, fashion and interior design, and contemporary social issues. The exhibition explores her depth of research as well as the multiple intersections that are revealed between established disciplines and fields of knowledge. Annet Couwenberg: Sewing Circles is curated by Lori Rubeling. The traveling exhibition is organized by the Center for Art, Design and Visual Culture, UMBC with support from Maryland State Arts Council. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025. Couwenberg will be the Windgate Artis-in-Residence at KSU in Spring 2025.

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June 2025

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Windgate Artists-in-Residence Exhibition: Summer 2025
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to present the work of Matthew Kirk who served as the Fall 2024 Windgate Artists-in-Residence, and Annet Couwenberg who served as the Spring 2025 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in a summer exhibition at the Zuckerman Museum of Art. Additionally, one artwork from each artist will become part of the Zuckerman Museum of Art permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The2025 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.
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July 2025

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Mountains & Valleys
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to present new work by artist Beth LaCour. The exhibition features a series of folded paper vessels as well as a large installation on the Project Walls. LaCour’s work focuses on hand folded sculptural paper vessels, reliefs, and lighting. She has taught printmaking as well as drawing, papermaking, sculpture, and digital processes at Randolph College (V.A.), Yavapai College and Northern Arizona University (A.Z.). A former artist-in-residence at Taliesi, her work is included in numerous national private and public collections. Currently, LaCour is the Studio Coordinator for both the Book Arts Studio and the Papermaking Studio at Penland School of Craft (N.C.).
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Windgate Artists-in-Residence Exhibition: Summer 2025
All Day
at Zuckerman Museum of Art
The Zuckerman Museum of Art is pleased to present the work of Matthew Kirk who served as the Fall 2024 Windgate Artists-in-Residence, and Annet Couwenberg who served as the Spring 2025 Windgate Artist-in-Residence. Artwork created by the artists during their residency is featured in a summer exhibition at the Zuckerman Museum of Art. Additionally, one artwork from each artist will become part of the Zuckerman Museum of Art permanent collection and will be utilized as a teaching tool to further learning engagement and cultural enrichment opportunities across the KSU campus. The2025 Windgate Artist-in-Residence exhibition was curated by Cynthia Nourse Thompson.

Fall 2024 Windgate Artist-in-Residence: Matthew Kirk
All Day
at Zuckerman Museum of Art
Matthew Kirk (b. 1978, Ganado, Ariz.) is an enrolled member of the Navajo Nation and currently lives and works in Brooklyn, New York. A self-taught artist, Kirk’s abstract assemblages and paintings are steeped in symbolism and iconography that take inspiration from colors and patterns found in turn-of-the-century Navajo rugs. Kirk will be the Windgate Artist-in- Residence at KSU in Fall 2024.

In person lecture at the ZMA: November 7th, 5pm

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September 2025

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what?

Zuckerman Museum of Art

492 Prillaman Way, MD 3104
肉肉传媒, GA 30144

Regular hours:
Tuesday - Friday: 10:00 am - 5:00 pm
Saturday: 12:00 pm - 5:00 pm

Phone: 470-578-3223

Email: zma@kennesaw.edu

Fine Arts Gallery

471 Bartow Avenue,
肉肉传媒, GA 30144

Located inside the Wilson Building across the Stillwell Theater.

Regular hours:
Tuesday & Thursday: 10:00 am - 5:00 pm
Wednesday & Friday: By appointment
Saturday: 12:00 pm - 5:00 pm

Phone: 470-578-2655

FREE ADMISSION: Docent-led tours and self-guided tours available upon request.

Important Note: The Zuckerman Museum of Art and our Fine Arts Satellite Gallery in the Wilson Building close during installation periods, and for 肉肉传媒 breaks and holidays unless otherwise noted. Please see the KSU calendar for details.

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